Bridges 2004
Winfield, Kansas, USA
30 July – 1 August 2004
More information
Front matter
Anatomy of a Bud
Pages 1–10
Combining Abstract Images using Texture Transfer
Pages 11–18
Fractal Art - A Comparison of Styles
Pages 19–26
Turning a Snowball Inside Out: Mathematical Visualization at the 12-foot Scale
Pages 27–36
On the Topology of Celtic Knot Designs
Pages 37–44
Twisted Domes
Pages 45–52
A Salamander Sculpture Barn Raising
Pages 53–60
El Compás Flamenco: A Phylogenetic Analysis
Pages 61–70
An Introduction to the Tiling Properties of the Tangram and Their Application in Two and Three Dimensions
Pages 71–78
From Hot Spots to High School Geometry and Calculus
Pages 79–86
Folding the Circle as Both Whole and Part
Pages 87–94
Permuting Heaven and Earth: Painted Expressions of Burnside's Theorem
Pages 95–102
The Triumph of One
Pages 103–108
Cognitive Models of Music and Painting
Pages 109–116
A Generalized Vertex Truncation Scheme to Construct Intriguing Polyhedral Shapes
Pages 117–124
Star Polygon Designs of La Alhambra's Wooden Ceilings
Pages 125–132
The Influence of Incipit Length on the Results of Statistical and Information-Theoretical Melody Analysis
Pages 133–140
Glide Reflection and other Combined Transformations
Pages 141–148
The Reflected Binary Gray Code Transform
Pages 149–156
Expressive Geometries of Curvature
Pages 157–164
A Search in Progress: Polyhedra from Intersecting Cylinders
Pages 165–172
Using a Fractal Program to Model Vortical Flows
Pages 173–180
Moorish Fretwork
Pages 181–188
Asymmetric Rhythms, Tiling Canons, and Burnside's Lemma
Pages 189–194
Inspired by Snowflakes: Constructing, Folding and Cutting Regular Paper Polygons to Create Art with Dihedral Symmetry
Pages 195–202
Fractal Patterns and Pseudo-tilings Based on Spirals
Pages 203–210
Hamiltonian Cycles on Symmetrical Graphs
Pages 211–222
Hunting Additional Pixels in Digitally Amplified Art: Looking for Clues in Music, with Inspiration from Mathematics
Pages 223–230
The Shape and History of The Ellipse in Washington, D.C.
Pages 231–242
Exploring Hyperobjects: A Metaphor of Higher Dimensions
Pages 243–250
Islamic Art at Doris Duke's Shangri La Playing with Form and Pattern
Pages 251–258
Mathematical Magic
Pages 259–264
MultiCam: A System for Interactive Rendering of Abstract Digital Images
Pages 265–272
The Mathematics of Jazz
Pages 273–280
Modularity in Medieval Persian Mosaics: Textual, Empirical, Analytical, and Theoretical Considerations
Pages 281–292
Modular Origami in the Mathematics Classroom
Pages 293–296
Splinters from the Keyboard Artistic Work and the Experience of Production
Pages 297–302
Experiential Morphology: The Generative Dynamics of Form and Structure, Part II
Pages 303–308
Tony Bomford's Hyperbolic Hooked Rugs
Pages 309–314
Fractalled: The Interstitial Spaces And Frank Gehry
Pages 315–320
Pulling Ropes and Plumbing Lines: Geometry for the Neolithic Engineer
Pages 321–328
Symmetry to Assembly
Pages 329–332
The Ghostly Imagery of Strange Attractors
Pages 333–334
Fractal Tessellations from Proofs of the Pythagorean Theorem
Pages 335–336
Applications for the Study of Tilings (Tile Composer - FonTiler - GridTiler) Using Combinatorics to Build Tiles Sets
Pages 337–338
Measuring the Musical Vocabulary of the Traditional Nzakara Harpists
Pages 339–340
Supercircles: Expanding Buckminster Fuller's Foldable Circle Models
Pages 341–342
The Place of Pilgrimage
Pages 343–344
Intersecting Cylinders and the Jitterbug
Pages 345–346
An Introduction to The Randome
Pages 347–348
Stephen Eberhart Memorial Quilt - A Proposal
Pages 349–350